Alisa A. Looney

ALooney-Grinding Contact No.2-5in

 

 

open, energetic form, portraying movement

and the expression of life…. 

Artist Statement

It is my highest goal to create sculpture that brings joy, connection and meaning to people who experience it.

I shape and fabricate metal into open, energetic form, portraying movement and the expression of life. Each sculptural piece is plasma or laser cut from steel, bronze or stainless, then sanded, hammered and TIG welded. For works in human form, a colorful powder coated finish adds a bold statement and symbolic meaning. For other works, I may choose to leave the metal in its natural color, add patina, paint, or finish the surface with colorful layers of glass.

Fusing enamel (glass) to the surface of the work, adds depth and narrative in lustrous layers of glass. I am excited by the reflective qualities of this medium and the ability to illustrate a story in minute detail on sculpture, wall reliefs and jewelry.

Images are built up in several kiln-fired layers of liquid porcelain enamel, which are applied using variations of dipping, spraying, sgraffito and painting techniques.

My most recent work explores the theme: “Folding into Nature.” I am interested in how we as humans are coping with the environmental and cultural challenges we are facing. My desire is to explore the many ways we find meaningful moments amidst these challenges, even joy, reaching for a calm acceptance of what is. Many works depict our connection to each other and to nature. I am particularly interested in wild free-flowing rivers, the source of all life.  With the intention to help keep our rivers clean, clear and flowing, I have committed to donating a portion of the proceeds from this body of work to non-profit organizations who share this mission (currently Sierra Club and Columbia Riverkeeper).

Artist Bio

Best known for her award winning outdoor sculptures, Alisa Looney has exhibited in the U.S. and Canada. Her work is in a multitude of private and public collections, including Maryhill Museum of Art in Goldendale, WA, and several U.S. cities in the Northwestern states of Oregon, Idaho and Washington. She expresses her ideas through sculpture, dance, painting and enameling in her Portland, OR, Studio.  At the age of four, Alisa began drawing and building with clay and sand on the banks of the Spokane River, in Northern Idaho. The movement of the river is still present in her work today. She fell in love with metal arts as a silver smith in her early years, received her BFA in Design from Boise State University in 1983 and began welding in 1998.  Alisa returned to Idaho in 2010 to study with enamellist and BSU Professor Emeritus, John Killmaster, which has allowed her to merge sculpture design and narrative enamels into what she considers her most precious work to date.